In the context of the spirituality that pervades the poem, the Mariner’s story can be seen as one of Sin and Penance. In shooting the innocent albatross he commits a sin (against both nature and God, since one is the expression of the other). The Mariner is then punished: he suffers deprivations and horrors until he learns to appreciate and love the natural and supernatural world that the albatross symbolized, and then he is absolved of his crime. Such a story of sin and penance, of punishment and absolution is common across many cultures and belief systems, including Christianity. And yet, at the same time, the poem’s treatment of the story isn’t quite so simple.
For one thing, the Mariner is only partially saved. Once his penance is complete and he learns to appreciate nature, his overtly supernatural torments are ended and he can enjoy the beauty of nature and the blessing of prayer. But, at the same time, he is compelled to continue telling his story indefinitely, or else suffer a kind of agony. There is no indication that he will ever be truly forgiven or absolved of his duty to share his experience, and in a way, this itself is another punishment. And yet, it too can be viewed as a blessing, since through telling his story he is given the gift of being able to save others, as, implied at the end of the poem, he saves the Wedding Guest.
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