Answer to Question #299516 in English for Mohsin Ali

Question

I want a draft of the very short story "Time Remembered" by Susan Dale not of the one that is by Bill Evans. I have to write an interpretative essay on it. So, what I want are literary elements that should be found out. Especially, themes and thesis statements

The link to the story is here

http://desiwriterslounge.net/articles/papercuts-time-remembered/

plz, it must be answered as soon as possible. thanks

Answer 1

Time Remembered is time suspended,

Bill Evans' jazz pianist composition Time Remembered is a modal jazz standard. According to Jack Reilly, the work is influenced by the modal works of the polyphonic masters of the sixteenth century, such as Palestrina, Byrd, and Frescobaldi, and even the oeuvre of impressionist artists such as Debussy and Ravel. It was first recorded in 1962 for the album Loose Blues and first released in 1966 as part of the Bill Evans Trio with Symphony Orchestra. The composition is composed in four modes: Dorian, Phrygian, Lydian, and Aeolian; it really is notable for the omission of dominant-like seventh chords, relying instead on major and minor chords and their extensions (thus employing many added 9ths, 11ths, and 13ths). These two qualities, according to Reilly, give the piece a modal quality. It would be unnecessary and procrustean to analyze a tune like time remember in terms of critical regions, in my opinion. Because none of the chords in question have a dominant-tonic relationship, you must be missing a crucial part of key-related functional harmony (at least to my ear). There doesn't appear to be much emphasis on any single pitch melodically or harmonically, though I suppose the case might be made that whenever a chord lasts longer than a bar, your ear is more likely to have heard it as a key center.Aside from just that, my ear picks up on the consistent structure since the underlying relationship in the chord progression is considerably more than any key-related harmony. A series of constant structure chords moving in an intervallic pattern is difficult to assign an essential function (functional balance). Personally, I don't believe Bill Evans was thinking along those lines. " Playing the melody independently of the harmony suggests some modal pitch locations. I'm surprised Bill came up with this melody after first penning the song; it can occasionally indicate a different harmony than what he employs. Nonetheless, it hits all sorts of juicy upper extensions to the written tune at the same time.The lack of dominant tension and the persistent emphasis on particularly "modal" notes in the melody, such as the natural 13 on the minor 7th chord and the #11 on the major 7th chord, give the song a modal feel. Because of the lack of tension/release caused by dominant/tonic progression, modal key centres, in my opinion, are more difficult to build up and establish. I don't get the impression of settling on a pitch center when various modal centers are flying by so swiftly and in tune.